And the New Warchief Is…!

The new warchief of the Horde, Sassy Hardwrench!

The new warchief of the Horde, Sassy Hardwrench!

One of the questions on everyone’s mind is who will be ascending to the title of Warchief after Garrosh bites the dust in 5.4. According to my sources deep inside Blizzard, apparently this will be none other than the wonderful Sassy Hardwrench. Miss Hardwrench, not content for being someone’s assistant and being passed over for leader of the Goblins, is a larger part of the raid on Orgrimmar than players may expect.

“We felt that the Horde, as well as the other leaders of Azeroth had too few women in charge and we felt that this was a pretty grievous error on our part. The idea of having the second most recognizable leadership of the Horde be Sassy seemed like a natural choice,” said a person who does not look like or sound like Dave Kosak in any way, shape or form. Other Blizzard story developers declined to comment on the record but it seemed to be like a unanimous decision.

But how will Sassy take over an entire population of orcs? Isn’t she busy running her weapons depot in Stranglethorn? Apparently her good looks, charm and even suspected romance with an unnamed (as of yet) lady orc warrior help win her the hearts of the people.

“There’s some gaps in our representation and we feel that Sassy is a perfect in-road towards showing more kinds of characters in the future.”

Good on ya, Blizzard!

Kirin Tor Offensive and the Uprising of Women

Archmage Modera, Jaina, Nasani, my shaman and Vereesa talk business.

Archmage Modera, Jaina, Narasi, my shaman and Vereesa talk business.

This week, like many other servers, my little RP server participated enough on the Isle of Thunder in order to unlock Stage 2. For anyone who hasn’t really poked at Patch 5.2 content, the newest daily hub features the forces of the Kirin Tor Offensive versus the Sunreaver Onslaught. These two factions are the continuation of the story from Patch 5.1 involving Jaina and the purging of Dalaran, and for the Alliance. What makes it so unique is that it’s one of the few places I’ve seen so far that is a largely woman-dominated part of the story, at least Alliance-side. What got me thinking about all this is the scenario (“Assault on Shaol’mara”) that players have to do that bridges Stage 1′s landfall on the island to securing the tiny outpost in Stage 2. The scenario, especially if you play a woman PC, is entirely driven and acted out by women NPCs – Jaina Proudmoore and Vereesa Windrunner in particular. There are also a couple other notable Kirin Tor Offensive names such as Archmage Modera and Narasi Snowdawn from the Silver Covenant.

It’s the first time that I can remember in-game that the story moving around me wasn’t really due to the actions of men or being plodded forward for their benefit. Even more astounding is that it isn’t really a diplomatic mission but it’s you fighting to push back the trolls in a skirmish. Vereesa is your guide Alliance-side and you and her fight with panache (she even says she likes your style!) and help gain ground so that the Offensive can set up a permanent base of operations on the island. It is a short scenario, to be sure, fighting a couple of bosses and trash but it felt a lot more immersive than some of the other story scenarios I ‘ve done, save for Operation: Shieldwall, but the fact that this particular group is headed up by Jaina and her lady pals is a welcome change from a world where she’s (and other women NPCs) have been shit on for taking the reins. While Garrosh and Varian are still duking it out like saggy diaper babies over Krasarang, Jaina and Vereesa are pushing with the Shado-Pan to unseat Lei Shen’s forces from the Throne of Thunder.

I always thought it was particularly weird that despite Azeroth being mixed gender, that women NPCs haven’t largely been as visible as “fighting” forces outside of Sylvanas. Even as leaders, they still assume more of a “calm” face to opposition. It wasn’t until Mists of Pandaria that it’s been more or less shaken up and not always in ways that I appreciate. Varian has always been presented as a hot-head but it isn’t until Jaina or Tyrande (in the Little Patience scenario) get their own need for anger that it’s suddenly not okay to be an aggressive person. I’m over-simplifying a bit but it seemed a little bit like women were still getting painted with a “damned if you do, damned if you don’t.” The Kirin Tor Offensive feels like a somewhat better outcome for the Jaina vs. Varian power dynamic than what Patch 5.1 had initially implied with Varian tsk’ing her into a corner because she had dared to go against his plans that she wasn’t even allowed to be a part of.  Jaina’s anger has always felt justified to me, especially as someone who read Tides of War, and I felt sad that most players, particularly Horde-side ones, wouldn’t necessarily grasp that her disgust with the Sunreavers would come from the fact that the ultimate betrayal of Theramore came from someone inside of Dalaran. The fact that the Offensive is also staffed and maintained by high-profile women that haven’t been seen in a while and would have largely been left to rot in Dalaran is a fresh take on the “daily hub with even more reputation grinding” dilemma.

For all of the problems that Mists has had so far with some of the PVE progression, the storytelling feels pretty top notch. I’ve long been a critic of some of Dave’s Kosak’s work in story development (I really hate his NPC!) but if this was his baby, particularly the scenario, then I can’t help but thank him. Women have too long taken a backseat in Blizzard’s stories and it is nice to see them doing something proactive and unguided by the desires of a male leader thus far. I’m really interested to see where the Kirin Tor Offensive goes as we unlock more stages, and I definitely feel more optimistic about then I have about some of the other things in this expansion.

Patch 5.2 – The Problem with Twins, Part 2

Patch 5.2 finally drops next Tuesday and with it, there has been quite a few things of note, particularly regarding the Twin Consort bosses I discussed. The 5.2 trailer, which was posted yesterday, was actually exciting and got me pumped for the raid content. The poetry, the story, feels like some of the patch trailers we’ve gotten before but a lot more cinematic. And while we got a glimpse of a lot of the story behind the Thunder King and his lackeys in the raid, guess who were missing.

That’s right, our wonderful twin ladies, Lu’lin and Suen. Kinda curious, don’t you think? Unfortunately my cynicism that Blizzard left them out of the trailer due to overwhelming shame might have a slightly more logical explanation, courtesy of the developer interview regarding all of the Throne of Thunder bosses earlier this week. This interview, incidentally, is what spurred me to post yet another discussion about these two Mogu sex robots bodyguards.

My thoughts on why the Twin Consorts were left out of the trailer might have been a mid-stream design change to their lore, as per Lead Encounter Designer Ion Hazzikostas:

An earlier version of the concept for the fight had them actually being spirits of the Sun and Moon, but that didn’t feel quite right (and we all know that the only true spirit of the Moon is Elune, and clearly she was not locked away by the Thunder King).

Now, this exceptionally generous on my part, but I suspect it is the only reason why they’d leave these female bosses out of the trailer video, given how long the machinima take to make. But like so many other things, I wonder if it because they like to leave developing female models for things out or to the last minute because everyone at Blizzard apparently is terrified about designing female models (worgen anyone?) Either way, it’s pretty odd that they are not in the trailer. I can distinctly remember most of them getting at least a second or two of screen time. (The only other female boss is Mar’li and the Council fight she’s a part of wasn’t in the trailer either.)

From people who have tested the bosses on PTR, and in even in just looking at the boss design, it’s pretty clear they kept the Sun/Moon aesthetic in the two of them.

It’s the rest of the interview that left me sputtering yesterday on Twitter:

  • Rumored to be the only known female mogu in existence, Lei Shen keeps his trophies close, and their combined arsenal against interlopers closer.
  • Players may have noticed the complete absence of any female mogu in their exploration of the continent of Pandaria.
  • Indeed, these were specifically created by Lei Shen and empowered to serve and guard him, and they are a direct reflection of his will rather than any broader sense of mogu culture as a whole.

Are the developers reading my blog? It seems like they are taking the heavy early criticism of why the hell there’s two female Mogu as raid bosses but not anywhere in Mogu society to heart.  However, there’s so many more questions left open here now that it’s canonically known that they are the only two in existence and only created by Lei Shen. Such as, “Why would an essentially monogender culture have a leader that creates women” or maybe “Why are they sexualized?” Consorts are very specifically a sexualized term, and maybe the developers are mixing real world stuff with Mogu again, but there’s this lingering feeling that these two women weren’t shaped out of stone just to guard Lei Shen. All of this bothers me, little piece by little piece.

Maybe it’s the objectified language in the copy and interview – “treasures” “possessions” “trophies.” Lei Shen created the only two women in existence for their race and they aren’t even granted true humanity in any discussions surrounding them. It’s the fact that they were created to be submissive and servile to him, to protect him. It’s the fact that they are the sexualized equivalent of guard dogs. Giving life out of stone is a pretty terrifying concept as well when you wonder where Lei Shen got the souls (do they have souls) for this purpose.

The only high point in the discussion about these two was the fan-ramblings about what possibly inspired Lei Shen – why not create a bulky Mogu woman, particularly if they are bodyguards? Cynwise suggested that it might be possible fashioning after Burning Crusade eredari, which would explain the model choice. However, I suspect the model choice is less a reflection of Lei Shen’s ideals and more the developers still.

All in all, these two bosses are a serious dig in my excitement for this upcoming patch. We’ve had a lot of trouble with female NPCs in Pandaria thus far and the raid dungeons have not been exempt from this – the last three did not heavily feature any canonically indicated female bosses aside from Lei Shi (the elemental) and Grand Empress Shek’seer (whether or not any of the other Heart of Fear bosses were women is up in the air.) So the fact that the new raid only features three women, two of whom are prized constructs created by Lei Shen and were left out of the official trailer, makes me upset.

Throne has an abundance of bosses and only 3 of them (the Twins, and Mar’li) are actually women. This is in fact a step up from the last raids we have done, but it still feels like a step backwards in terms of Blizzard’s creative development choices.

Patch 5.2 – The Problem with Twins

New Mogu female model in Patch 5.2.

Last week a preview of patch 5.2 dropped, with all the attendant fanfare and data-mining. It seems the focus of this newest content patch (which is going up on the PTR after the holidays) is the Thunder King, along with a corresponding raid Throne of Thunder, which is supposedly reminiscent of Ulduar in both size and aesthetics. What caught my attention initially, other than benefits for Sunsong Ranch was this gossip about how a female mogu model had been dug up.

I raced over to Wowhead to get a gander at what it might look like and was presented with this. We finally get a female version of one of the NPC races in game (out of so many that do not have female counterparts) and it is that? I mean, I’m always glad for more representation but this feels like a step in the wrong direction. It is obviously skinned over a draenei female’s animations/skeleton for the most part, but it is intensely dimorphic (like draenei, troll and worgen women) and very sexualized. Granted,  while the clothing isn’t much different than what mogu dudes wear, the effect combined with the posture, ornamentation and -ahem- ample cleavage skews the aesthetics in quite a distinct direction. At the very least the faces and headdresses radiate more power than sex. That is something, right?

Wrong!

Apparently this model isn’t an added NPC model for mogu areas, this is one half of a set of raid bosses. Yup, that’s right, we’re getting the Eredar Twins v.2 in the Throne of Thunder! Two more specific, incredibly sexualized models that only ever make an appearance as a raid boss (and one quest NPC.) And get this – the name of these mogu women in the raid are Twin Consorts. That’s right, the Thunder King has two royal “partners” (or chattel) in whatever way you take that to mean. But given the name, the attire and the history with this sort of thing, I am guessing we are in for a boss encounter that is full of breathy, sensual emotes. We’ve seen it before, why not again? Why not make them curled up and flanking the Thunder King’s throne? I’m not holding my breath that there’s going to be some radical change of tack for these ladies.

But that’s not even the weirdest part.

Given the idea that these Mogu female models are only going to be present in the raid, it sort of rattles the tenuous consistency that pervaded the Mogu as a race. While most other NPC races that only feature male models sort of laugh off this idea that their women are tucked safely away in villages somewhere, Mogu could pass as a seemingly male-only race because as far I could understand, they weren’t really constrained by the issues of flesh that most other races are. The idea that they were brutish proto-beings (or maybe even Titan constructs?) twisted by the waters of the Vale gives rise to the idea that created, rather than born. This means that they aren’t tied to reproduction and so Mogu females could just be a figment. Or, if they originally were mortal, just hidden away from view like every other group of NPCs that Blizzard has neglected to realistically portray. It raises a lot of questions and creepy concerns with this sudden and very specific appearance of just two women in the entirety of Mogu society – especially if they are merely decadent sexual companions to the Thunder King.

The Mogu are adept fleshcrafters and spiritbinders and very often view death as inconsequential. They also have a habit of putting spirits into shaped stone bodies, some from Mogu who “died” and were resurrected and others from those they’ve conquered or enslaved. Are the Twin Consorts created out of stone and enslaved spirits of the Thunder king? Were they his lovers or companions prior to his death and entombed with his unmarred body? Were they brought into being as some sort of Mogu ideal of decadence, like Pygmalion creating his ideal woman out of marble? So many possible theories and all of them make me squirm. Given the fact that Blizzard has a terrible track record with populating the NPC world with women, coupled with their narratives regarding their place in the world, it seems likely that these consorts could be far more chilling than I could ever imagine.

This expansion has been slightly better than most in terms of representing stories and background characters that are also women. This just feels like a step backwards and a reminder that so many times, women are an afterthought to the creative development team. I know that making two models just to represent a non-PC race is extra development time, but default models for NPC races are still coded as men only (Vrykul/Hyldnir aside), and this bothers me. It makes the female exceptions in the Eredar and now the Mogu stick out like sore thumbs and it always seems to give rise to really sexist representations.  This creates the message that the non-PC women of Azeroth are not terribly important.

In all likelihood, Blizzard doesn’t see this as a problem and it definitely shows. Taking the time out to fully represent NPCs races in such a narrow way intimates a very specific mindset. It is probably “natural” to stick a couple of women (sexy ones, no less) to “change it up a bit” probably because so much of our world (not just Azeroth) is still depicted as men only. It is catering to a male audience and the male gaze when the token women stuck in the scenery are there as eye candy. While Blizzard has made leaps and bounds in both their main stories and player character races (to some extent), their lack of thought into fleshing out the rest of the world is pretty clear to anyone who cares to look.

 

Amber is the Color of my Gender

Technically I meant to title this as “Amber is the Color of my Sex” to be scientifically accurate but I figured it might attract the wrong kind of attention. Yesterday on Twitter, I was reading a really interesting discussion on the nature of Klaxxi gender. The reason for the speculation was because, despite Blizzard’s past laziness with regards to gendering their non-player races, it could easily be left open to interpretation with a bug race like the Klaxxi.

World of Male-craft

Unfortunately my skepticism that Blizzard made a race that wasn’t populated with dudes unless otherwise specified (Grand Empress Shek’zeer) is high. While Blizzard is exceptionally clever and the Mantids have been left open to interpretation, I don’t think it was done on purpose. Warcraft constantly defaults to “maleness” as the norm when it comes to NPCs unless there’s a reason to duplicate women elsewhere (in the case of some NPCs that have player races.) This isn’t surprising at all given that it is way cheaper on both resources and development time to only create men. Why?

Their logic seemingly is that in a world of war and aggression, wouldn’t most women die or be hidden away so you can perpetuate your tiny little race infinitely after adventurers slaughter billions of your kind every day? On top of that, they seem to not quite “grok” how to gender models as women without extensive time put into it if a model doesn’t have tits or a pink bow on it’s head. Those two facts make representation in the game world a fairly open-and-shut-case. There are notable exceptions to this: Centaur, Naga (who have explicit male/female models), Dragonkin (at some levels), and Harpies/Dryads (who are exclusively female.) The rest are seemingly neutrally gendered or typed male, even in the face of actual logic. That’s just how gameplay will always clash with lore.

This is the largest point in the idea that Blizzard may have made the Mantid at large a mixed gender race. However, this doesn’t stop us from using their lack of detail to our advantage to speculate otherwise.

BUGS, BUGS, BUGS

I’m not an entomologist but insect societies, which the Mantid and such seem to based on, wouldn’t necessarily conform to Blizzard’s “all men all the time” rule when it comes to NPC races. By setting up a female Grand Empress with an unclear line of succession (there’s combat and corpse eating but it doesn’t say if it is matrilineal or what) as well as offspring being sired by her (presumably), they seem to leave the door open for contradicting themselves with their own male bias. Insect societies that behave with a “queen” being the mother figure (see: Grand Empress Zek’hara) like ants and bees do not have an overwhelming majority of their society as male. Most of the workers tend to be female drones, with some breeding males groomed for the queen. It would stand to reason that if the Mantid were similar to these species in terms of being colony insects, that most of them (including the Klaxxi) would be women. However, a couple of facts about the Mantid move them away from being simple colony insects.

1.) They are fearsome in the singular, more-so if fighting in a swarm.

Insects that are typically colony-based do not have individual characteristics such as these, whereas Mantid seem to be capable of doing great damage all on their own, moreso if any group of them stick together.  A single Mantid is able of making personal decisions as well as defending themselves, and could live away from the group.

2.) They do not communicate via collective.

Unlike the typical sci-fi/spec-fi convention, Mantid and Klaxxi talk to eachother using technology via sound frequencies boosted over large areas and developed language, rather than things like scent markers, swarm intelligence or the ubiquitous “hive mind” where all members in the society are linked telepathically to the central power and do not think independently.

These two indicators mean that it is very possible that Mantids are not specifically majority female and may perhaps be a mixed-gender population (which is still not majority male.)

Not So Much Man-Tids: Meritocracy Within an Aristocracy

My strongest case for there being mixed gender despite Blizzard’s plans to leave a fairly non-dimorphic insect species mostly male is the cycle of the Mantid Swarm.

Mantid assaults on the Serpent’s Spine are a terrible thing to experience, both as a defender, and as a mantid. Only the smartest, strongest, or most agile of the mantid survive this encounter, and pandaren defenders are slaughtered outright in terrible numbers.

Mantid survivors make their way back to the great trees, often bearing trophies of their conquests. There, they are welcomed back into the mantid society, and take their place among their civilization according to the level of their deeds. The purpose of this rite of passage is unclear. but those who travel beyond the wall are forewarned: any mantid you encounter beyond the wall is a hardened veteran, to be feared and respected.

Mantid Swarm lore scroll in-game

In short, the Mantids and by virtue the Klaxxi, are a merit-based insect society. Those that we see in-game that are not throwing themselves against the wall as cannon fodder are the highest achieved in Mantid culture. At no point are these best and brightest codified as male, even those who are pegged as the most strong. Blade dancers, manipulators and bladeguards alike are, despite the game’s norm, potentially female. Due to WoW having no dimorphism in body types among the Mantids (save for the Empress) means that we have a potential for yet another mixed-gender NPC race. Granted, I still believe that this is by accident, but the idea of the Mantid society defining themselves by accomplishment seems more a true reflection of the Warcraft gender politics than even us as player characters are. In this vein, it’s very possible that the Empress ascends to the throne by virtue of being the most accomplished female within the group, rather than strict familial succession. We could conjecture even further and say that gender is fairly irrelevant as how Mantids define themselves in all aspects other than the singular Empress hierarchy. Gender as a societal construct seems fairly irrelevant to them and solely a biological indicator of sex. What a Mantid does during and after the Swarm cycle is far, far more important and is the pinnacle in individualism.

In this respect, despite Dread Wastes giving me the major wiggins, I find the Klaxxi/Mantids very exciting and hope that we see more lore about them in the future. As someone who uses the game to escape the ridiculous gender politics of reality, seeing a society work solely on individual merit makes me gleeful.

Headcanon: Two L’s

Life will always blossom from the darkest soil. – Alexstrasza

Blog Azeroth had a really amazing shared Blog Topic last week that I really, really wanted to talk about but I got caught up in other stuff. Akabeko from Red Cow Rise suggested it:

Canon refers to the actual events and characters that exist in a fictional world. Headcanon refers to any situations or characters that are imagined by fans of said fictional world. Sometimes they are silly, like the fact that Garrosh’s favorite treat is lemon squares. Sometimes they are serious, like positing that tauren store grief in the lungs. For my writing, I’ve come up with a lot of headcanon. Got a theory about a torrid romance between your favorite auctioneer and the patrolling guard? Given any thought to where mounts and pets go when they aren’t summoned? Do you know how your characters do their laundry, or what Baine Bloodhoof does in his free time? What are your headcanons, and where did you get the idea?

As I’ve explained before, I practically live in a world of my creation when it comes to World of Warcraft. My grasp on lore is shaky at best and I have some very strong opinions that Azeroth could be better if I was one of the Titans. As someone who frequently isn’t represented in games because I’m queer woman, a lot of what I have to do is fill in the gaps when it comes to representation, amongst other things. So it should be no surprise that a lot of my headcanon satisfies that need to see “myself” reflected in the world I spend so much time playing in.

It all started with a rare out in Tyr’s Hand and Rades. If anyone ever listened to the best episode of Bifactional that we ever did (about rares), one can remember the discussion that was had about the mysterious Lynnia Abbendis. Why is she there? Who is she? What kind of life did she have? It was joked that Lynnia must have known Lilian Voss and the two could fight crime together. I dreamily imagined the idea of two undead women careening around Eastern Kingdoms righting wrongs; so many things right about that scenario and yet I felt it was missing something.

Love.

I really don’t consider myself some sort of “shipper” because I tend to adhere to an author’s wishes in romantic choices and I don’t like to pare away stories to just flat and rigid relationships. However, the idea of two young Scarlet Crusade women finding solace, friendship and dare I say it, some sort of complex companionship over the tenure of their brief lives before meeting tragic ends is right up my alley. Since that seed of a thought got planted, it’s only grown stronger and thicker until now when it has managed to strangle a lot of my other ideas about Azeroth. It is a story that deserves to be told and expressed. There’s no way, in my mind, that this couldn’t be the truth. There really could have been a Scarlet Crusade academy, and all of the young Crusade children could have been friends with eachother (it’s canon that Voss and Gebler were). Considering that Lynnia is an Abbendis, it’d be assumed she’d also be there. Lynnia and Lilian strike me as having some sort of age differential but nonetheless could have been friends or close to eachother.

You can see what kind of castles I’ve constructed out of the air from the tiniest motes of dust.

I’ve spent at least 2 IM conversations with Rades discussing the plotline and arc of these two women’s lives when they still had a pulse and what might be in store for them now. What would have lead the two of them to have such different places in the game? The obvious answer is because I am the only person that considers them linked in some way but as far as a story concept, it does bend what ifs in a particular direction.

Loss.

The story of Lynnia and Lilian is a sad one, even if I truly believe there could be a bittersweet ending for both of them. Lilian’s childhood was controlled by her father and Lynnia is called the Fallen Hope. They are in wildly different locations and doing very different things when we find them in the world. There’s not a lot of sunshine and kittens to be had here. And now that the two of them aren’t even “alive,” it seems to me that joy is in short supply. Maybe that’s why the idea of their feelings for eachother surviving is so persistent in my brain; to give them an ending that Blizzard never intended and never wanted for the tragedy that was the Scarlet Crusade. What would the two of them meeting now be like? Have they not seen eachother since they died? I get a little choked up thinking about it. It spurs me to put words on the page and draw lots of art.

I have hope though, even if the story will never be told by Warcraft. It is something that can live on in my imagination for now. Considering that Voss plays a very large role in the new heroic dungeons in Mists of Pandaria, I will not let this story fade to black just yet.

 

 

Remembering Scholomance and Caer Darrow

The Headmaster's room in Scholomance. I think I’m getting on my WoW-years because I’m spending less time reading and looking forward to Mists of Pandaria and today, on the literal day of patch 5.0.4, looking back at the things that have changed. I thought I’d be okay; it wasn’t like Cataclysm where everything was being destroyed. However, I find myself being a little verklempt at even the smallest things. It hit me as I was running in and out of Scholomance five times an hour to try for a Sawbones Shirt.

This place wasn’t going to be the same anymore.

Any time change creeps up on me, I get caught out a bit. Old dungeons that I remember doing fondly in Vanilla are obviously no exception to this. The fact that stuff like the Tabard of the Scarlet Crusade, Whitemane’s Chapeau just vanishing into the air because their bosses are too is weirding me out. The more this stuff fades into the sands of time, the more I feel myself wanting to snatch grains of it out of the air to keep safe.

Scholomance may had not been the quintessential dungeon that Scarlet Monastery has been, but I have fond memories of the place. It was long and unforgiving even after it was taken down from a raid instance to a 5-person dungeon. It had many, many secrets and quests tucked within.

The Secrets Long Past

It is unfortunate that most of the really, truly neat things about Scholo were removed with Cataclysm.

Easily the most interesting part of Scholomance back in Vanilla was the quests associated with the place and the island. The quest to kill the boss Kirtonos the Herald netted you a Spectral Essence, which was necessary to see all of the ghosts that wandered around the island, including vendors that had rare patterns. The vendor is visible now but a lot of NPCs are lost to players because the Spectral Essence is no longer obtainable in the game. The quest that originally rewarded it, “Kirtonos the Herald” no longer gives it as a reward. (It also doesn’t require you to kill a succubus for a vial of Kirtonos’ blood to summon him with the brazier.)

The Spectral Essence was key to a lot of other quests on the island that were only given out or turned in to ghosts in Caer Darrow. One of these ghosts was Magistrate Marduke, who gave you the quest for Ras Frostwhisper. It was a 5-part chain that sent you packing to Arathi to search all over Stromgarde for a book tucked away in a random fireplace. I spent at least 3 or 4 hours looking. I’m not kidding you. It also required you to go into Stratholme with the book to draw out Ras’ soul so you could eventually turn the lich inside the dungeon to a mortal and kill him. Stuff like this was secretive, meandering and full of lore. Definitely not the caliber some quests have today, but definitely not easy to finish.

You also completed one of the quests in the Tirion Fordring quest chain that was in Eastern Plaguelands (before the revamp) from an artist on the island.

The hardest quest associated with Scholomance was definitely the key quest, however. A lot of the end-game dungeons in Vanilla, like UBRS, had key quests so it could further alienate people who didn’t feel like doing them. (My boyfriend when I brought this up to him – “Fuck that key quest, I didn’t do it. You could die and walk through the door that way.”) I dutifully did the Scholomance key quest because I was a level 60 in my guild who came to it late and wasn’t really taken on raids. After proving yourself with some Andorhal quests, you were set to create a skeleton key, literally. After killing skeletons for fragments, you had to travel to Gadgetzan to get a mold made, paying 15G of your hard-earned cash (having 100G back in Vanilla was the same as having 10,000 nowadays). Then you had to take the mold to a volcano. Then you had to gather a GROUP of people to take down the lich Araj the Summoner for his scarab pendant. Then you finally got a key.

Remind people that this is what they look fondly back on when they talk about “vanilla being the best expansion.”

Not everything that was hidden about Scholomance was something on the outside though – many of the secrets lay inside the actual instance. The one that really threw me for a loop was the secret torch. Despite being someone who spent the better part of her level 60 existence crawling through this dungeon, I had no idea about this until this year when a guildmate (or a friend, I cannot remember) pointed it out to me.

There was an executable torch in Jandice Barov’s mortuary room, to the right of her alcove. Turning it unlocked a gate in the Viewing Room, which held a chest.

It only ever really held greens, but the idea that Blizzard stuck something this hidden inside was just fascinating to me, a veteran like me. Who goes around clicking on walls to see if torches work? But it makes sense for the atmosphere of the place. Why wouldn’t a hugely corrupt and rich family keep things tucked away in a hidden locale?

Memories

I think one of my reasons for being so persistent about collecting items from places like this when they change is because, like in real life, sometimes memories and emotions are all you have. In a video game, your experiences someplace are reduced to screenshots and remembrances shared over voice chat. The ability to go and take a “tangible” reminder of what something was like “back in the day” is something you aren’t really afforded in real life, usually. Scholomance was one of the places I remember best from Vanilla and it is sad to see it change.

I remember:

  • Helping at least 6 or 7 paladins from Northrend Commonwealth get their paladin charger in the finale of the quest chain.
  • Doing a run at 3 AM and my bags being full so I left without looting my Magister’s Crown and having to ticket a GM.
  • Accidentally pulling the summoners in the Summoning room because I counterspelled them thinking they were attacking us. Turns out I was just being anachronistic.
  • Being able to climb out of Kirtonos’ room to explore instanced Caer Darrow.
  • Those horrible magic resist skeletons.
  • Being terrible at fighting the monsters that you got locked in a room with during the Gandling fight.
  • Someone being really excited about Robe of the Void pattern dropping.
  • Dark Runes, the ultimate in trickery for RP.
  • Farming for Ichor of Undeath for Greater Water Breathing potions.
  • Seeing the Headmaster’s Charge drop twice (Didn’t win it either time.)
  • Learning how to expertly polymorph mobs in the packs in the middle rooms.
  • Making flasks at the alchemy table in Ras Frostwhisper’s room. (The only other one was inside of Blackwing Lair.)
  • Coming back in later expansions to farm Skins of Shadow for my Insane grind.

I know that nothing is going to take away those things from me, but part of me still tried to race up there and codge a shirt out of Rastinov all the same. New Scholomance, with the hints of the Lilian Voss storyline and smoother redesign will be better for everyone, I know this. But part of me still misses the confusing and punishing complexity of the former dark arts school.

A Voice From A Warm Place: Dragonwrath Easter Egg in Mists of Pandaria

A blue dragon roars in Jade Forest.

I admit, I haven’t been using my beta access to its fullest since I got it a couple of months ago. The other night, however, a tweet came across my timeline regarding friending options and so I updated my game and hopped in to test it out. Afterwards, the person I was partied with and myself decided to fuss around with pet battles. I was flying around to look for critters to battle with my Spectral Kitten, listening to dance music very LOUDLY, when I heard it.

It was a woman’s voice saying something.

I blinked and looked around. Since I was still in Stormwind limits, I figured it must be an event with buggy zone sound. I asked in party chat if they had heard what I did and they said no. I wondered what it might be but I looked back in my chat log and saw this:

The warm embrace of Tarecgosa’s presence encircles you.

For anyone that doesn’t have a completed legendary staff, this is the text emote that the staff randomly pops up from time to time. I’ve always really loved that little touch; I saved Tarecgosa’s essence and now it is a part of me. It is there to comfort me when I need it. It’s like a little hug when I’m doing stuff in-game. My question then was, “Does this mean there are voice emotes as part of the staff now?”

Due to the addictiveness of pet battles I was in beta for another three hours. My emote popped up again and then I very distinctly heard her voice.

“Your deeds will live on forever in the memory of the blue dragonflight.”

I admit, I started freaking out (in a good way) at that point. I started doing a little digging and it turns out that according to the two MMO-Champion threads that I found (that only got a couple of responses, what gives?) that the staff has a random choice of 5-6 voice emotes when the staff says something to you. It seems like this little easter egg was added in a content patch at the end of July. I am really stoked about this, obviously, as a staff wielder and a dragon fanatic.

But what does it mean? My boyfriend pointed out that they’ve always done little Easter egg stuff with legendaries even after their relevance. (Remember what happened when you brought Atiesh into Shade of Aran’s room?) I want to think that it might be something significant; some additional lore might be down the road or us Dragonwrath holders might be allowed to keep our staves longer into the expansion. I know that this probably isn’t true and it breaks my heart to think that I will have to put down my wonderful staff in a couple weeks; I won’t hear Tarecgosa’s voice again unless I’m AFKing. This is just another regret along with having to weapon-swap just to turn into a blue dragon as well.

Getting a Dragonwrath was such a game-changing experience for me and not just because I had a piece of lore strapped to my back. My experience getting the staff and all the feelings that went along with was so important to me and validated a lot of things I felt about myself – that I was good enough, that I deserved this.  Add to this the fact that Blizzard finally decided to give a little more story to some of the female characters in their world (even if Tarecgosa’s time in this plane was limited) and I was a part of that? Mind-blowing.

So many times in game, hearing voices has meant that something evil was lurking around the corner, undermining our confidence in ourselves, our friends, our sanity. This is a distinct change from that and I am glad for it. I know this won’t mean much to most people, that it is just a collection of pixels, but it warms my heart. There is a wonderful lady dragon’s spirit watching over my gnome, protecting her. Cheering her on from another realm. I know that I will miss having this constant presence gone from my game after it being part of my everyday life for six months now. Still, I have a feeling she won’t be very far from my thoughts.

When I was flying up to the Skyfire to go to Pandaria this morning, I heard her whisper to me.

“Never give up.”

I won’t.

 

 

Flowers Made of Tears

Warning: This post features so much lore-breaking! You might feel nauseous! This post came out of an idea I thought up late at night.

It’s really no secret that I’m more of a dreamy “I have all the FEELS” sort of person when it comes to lore, rather than an all-knowing lore expert like so many people in my immediate vicinity. (Rades and Catulla come to mind, as well as Mythrai and Bug) I tend to get caught up in the half-truths and emotional contexts to the characters and stories I see in the game, filling in the gaps with my own inventions and notions because I cannot be bothered to read EVERY relevant text or my brain cannot stitch together the pieces well enough to un-fragment the whole. Out of these wisps of imagination comes fanciful notions like:

“Maybe Garrosh is capable of receiving my sympathy because he’s downtrodden by other’s expectations” (He isn’t.)

“The Naaru are benevolent but have no ability to grasp mortal concerns.” (Debatable, everyone thinks they are evil though.)

“Sassy Hardwrench is a can-do feminist lesbian who runs hot spring resorts for other queer Azerothians.” (You will never, ever sway me on this opinion.)

I’m not ashamed to say that I have desires to think about these things, even when I ask stupid questions of my friends to make sense to my constructivist self. I only feel embarrassed when I get the lore so profoundly wrong that everyone gives me the side-eye. It is fun though, to dream of an Azeroth that neither lore scholars nor Blizzard themselves have yet. Basically, when I’m not failing Influential Characters in Lore 101, I do like to make up stories in my head about characters that maybe don’t exist in WoW, or don’t exist in the ways that the game has presented them as. I make up facts and consistent logic is not very strong here.

The Azeroth of my dreams features way more women, for a start, and with more agency; a lot more people present as genderfluid and queer. Chromie and Androgos are male-identified dragons that love being lady gnomes. Lynnia Abbendis and Lilian Voss are vigilantes working to undermine the sinister forces afoot in the land, and they also are in love with eachother. Baine Bloodhoof sees his father regularly in his dreams, and it guides him. Fandral is seen as a tormented father rather than a loot pinata. Keristrasza gets the last laugh. The world that was broken is remade or improved in my head. It’s idealist as hell, but it makes me feel better.

Therefore we find ourselves suddenly in Duskwood. It’s chilly and damp, but it is mostly just hard to see. We’re standing on a small plot of land with a small shack. The stink of rot is here, cold and lonely. Scourge amble aimlessly. Fluttering softly on the only breath of wind here are many small white flowers. We see two adventurers run up and hack an undead man to pieces as he comes out yelling and waving his arms. Slowly, piece by piece, he will sew himself back together. He is cursed for all eternity to never die, only to live with the regret and shame of what he did. He is only starting to figure out why possibly he is doomed to this fate. It is because of you.

You look down and you are not the person you were. You are a woman, undead specifically. Your garb is lavish and clearly marks you as someone who dabbles in necromancy and fel energy. Every time you see Stalvan tearlessly weeping to himself in his shack, crying over a faded picture of your human face, you laugh. It is always his name that the villagers whisper to their children. Bitterly, you were forgotten, lost to the letters that he wrote to his family and friends. A footnote for a madman’s murderous rampages. Where was the memorials for you? Where were the tears for your family? A teacher with an unnatural lust for his devoted student, and no one cared that his story was the only one that was publicized. You were the shameful woman, the bad woman. You must have lead him on, giving him such a simple gift – a white flower. You didn’t notice the barely concealed contempt when you showed up with your fiance, you were too consumed with the idea of an arranged marriage.

All that is gone now. Gone because of his jealousy and his perversions. “The blood that was shed paled in comparison to the tears I shed.” Feh. You spit on the ground. Tears? Tears? You cried tears, Stalvan? What about the tears as you saw your family murdered in front of you? He left you alive for last, he left you alive the longest so you’d feel his suffering. His suffering, heh. He didn’t know the first thing about suffering.

When you took your first breath as one of the undead, you vowed to never let him rest. You were given a gift, a second chance to write the story over. You would hound him screeching until the ends of the world and time itself for what he’d done. So you learned and you studied. You were the darkness that overcame him, sitting unrepentant in the middle of the woods. You struck him down, his last moments alive were with fear in his eyes and heart as he slowly realized who you were. You grasped your bony fingers around his neck and as your corruption stilled his heart, you whispered in his ear, in a dirt-ragged voice:

I came back for you, your sweet Tilloa.

A stupid man in a stupid shack doomed to live his entire unlife in rotting, tortured flesh, bound to this place with the weight of his guilt. A thousand heroes of a thousand generations will come to steal his treasures, and judge him for the crimes he committed. They will piece together the measure of his worth and find him wanting, a curse on the name of Mistmantle. It is small justice for the woman who wanted to be free from her life.

You pick up a flower from the field and tuck it behind your ear. You always loved how they smelled, when you could still inhale their fragrance. There is time now for happiness, and rejoicing. Your work has been completed. You can do other things. You are the author of your own story now, and it is time to turn the page.